About this blog

  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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« Systems, Shakespeare, and Intertextuality: Premise 7 | Main | Systems, Shakespeare, and Intertextuality: Premise 9 »

03 April 2006

Systems, Shakespeare, and Intertextuality: Premise 8

Ouroboros_illustration_from_wikipedia Complex systems may change in cycles, from organization, through disorganization, to reorganization.

Narrative texts often move from organization, through disorganization, to reorganization (one way in which they "hold a mirror up to nature"). Campbell’s "monomyth" is one description of this movement. "Problem and solution" is another.

Narrative texts can, in one sense, exhibit the whole movement and, in another sense, exhibit just the movement from organization to disorganization or just the movement from disorganization to organization. Northrop Frye's theory of mythoi might be paraphrased as saying that tragedies exhibit the movement from organization to disorganization; comedies exhibit the movement from disorganization to organization.

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